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Eugene Delacroix Hamlet and Horatio in the Graveyard oil painting reproduction


Eugene Delacroix
Hamlet and Horatio in the Graveyard
Pintura identificación::  44176
1839 Oil on canvas, 29,5 x 36 cm

 

 
   
      



Eugene Delacroix Hamlet and Horatio in the Graveyard oil painting reproduction


Eugene Delacroix
Hamlet and Horatio in the Graveyard
Pintura identificación::  62528
283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other

 

 
   
      

Eugene Delacroix
French Romantic Painter, 1798-1863
Hamlet and Horatio in the Graveyard
283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other

Related Paintings to Eugene Delacroix :.
| A Lady Reading a Letter eart | Mer de Glace,in the Valley of Chamouni,Switzerland | Tahitian Landscape life | Portrait of Charles V Seated r | Tower Creek |


        
 
   
 

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